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Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos.
In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains—of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming.
Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.
- Sales Rank: #1327720 in Books
- Published on: 2014-12-18
- Released on: 2014-12-18
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 7
- Dimensions: 5.84" h x 1.12" w x 5.06" l,
- Running time: 480 minutes
- Binding: Audio CD
Amazon.com Review
The Art of War
Is Phil Klay's debut short story collection the best book about the Iraq War? --Kevin Nguyen
“Success was a matter of perspective. In Iraq it had to be.” This opening line, from one of the stories in Phil Klay's impressive debut collection, Redeployment, encapsulates what the book does best: through the many viewpoints represented by his twelve stories, Klay gives us not just a gripping portrait of the Iraq War but a glimpse into the true human cost of war, abroad and at home.
Though the United States entered Afghanistan and Iraq over a decade ago, novels about those conflicts have only begun gaining critical and commercial attention in the past few years. Kevin Powers's The Yellow Birds, was one of the most talked about books of 2012; the same year, Ben Fountain's Billy Lynn's Long Halftime Walk won the National Book Critics Circle Award for Fiction. Both books were finalists for the National Book Award and included in our own Best of the Year list.
Powers and Fountain took very different approaches to the Iraq War. The Yellow Birds is a moving, often lyrical story that follows the tradition of in-the-trenches war fiction, taking hints from such classics as The Things They Carried all the way back to All Quiet on the Western Front (Powers is a veteran who received his MFA after returning to the U.S.); in contrast, Billy Lynn is more of a satire, taking place on home turf as the surviving members of Bravo Squad are paraded out during the halftime show of a Dallas Cowboys game.
Tonally and thematically, Redeployment falls somewhere in between these two novels. In its diversity of viewpoints, Klay has composed a complicated portrait of the war and its psychological effect on Iraq and at home in the States. Like Yellow Birds, these stories are moving and subtly philosophical; like Billy Lynn, Redeployment isn't afraid to be funny, to be brash.
Read the full review on Omnivoracious.
Amazon.com Review
An Amazon Best Book of the Month, March 2014: I defy any readers of Phil Klay’s stunning Redeployment to a) put it down and b) limit the number of “wows” they utter while reading it. These twelve stories, are all about the Iraq War or its aftermath; they are so direct, so frank, they will impress readers who have read all they care to about the war as well as those who thought they couldn’t stand to read about it at all. The strength of Klay’s stories lies in his unflinching, un-PC point of view, even for the soldiers he so clearly identifies with and admires. For example, one veteran tells a guy in a bar about a particularly harrowing war experience. When the stranger, moved, declares his respect for our troops, the soldier responds, “I don’t want you to respect what I’ve been through. I want you to be disgusted.” Klay is fearless; he eviscerates platitude and knee-jerk politics every chance he gets. “[A fellow soldier] was the one guy in the squad who thought the country wouldn’t be better off if we just nuked it until the desert turned into a flat plane of grass,” he writes. These stories are at least partly autobiographical, and yet, for all their verisimilitude, they’re also shaped by an undefinable thing called art. Phil Klay is a writer to watch. --Sara Nelson
From Booklist
*Starred Review* Klay’s stories are sensational, with vivid characters, biting dialogue, and life within and beyond the Afghan and Iraq wars conveyed with an addictive combination of the mundane and the horrifying. A soldier reenters civilian life after the surreal wartime task of shooting dogs that eat corpses. A rookie takes part in a raid on insurgents and then eats cobbler. Two soldiers agree to swap responsibility for a killing. A foreign service officer navigates bureaucracy with results that are no less sad for being comic. Soldiers return to barracks after patrol and wordlessly pick up their video games, which they choose over sleep. Redeployment is most remarkable, though, for the questions it asks about the aims and effects of war stories themselves, and Klay displays a thoughtful awareness of this literary tradition. That perspective holds these diverse tales together, as his narrators ask why and how war stories are told. What details does a soldier share with civilians? Does one tell it funny or tell it serious? Is the storytelling a further return to war, a redeployment in itself? Those questions, and Klay’s exciting new voice, may stay with the reader long after this book is back on the shelf. --Annie Tully
Most helpful customer reviews
7 of 7 people found the following review helpful.
An Incredible Collection, With Incredible Insight
By Mathew
First off, this is a collection of short stories that are fiction - but they are historical, accurate - darn-good fiction! For me and my service in Iraq, this book hammered home so many feelings; it captured so many different facets and aspects of what was my Iraq war, I was extremely pleased. Klay does a superb job of tackling some taboo topics that Soldiers down-range deal with and dance around (like Klay's gun-bunnies who are always waiting for the call to fire the artillery, and actually kill someone); stories about things like serving in mortuary affairs - I mean can you imagine that as your job? To process the remains of your comrades... gripping.
And the aspects of PTSD and the heartfelt loyalty and dedication that those who serve in harms way give unto each other - like Klay's story about the adjutant who had the solemn duty to ensure that a fallen hero receive the military honors he deserved for his heroism in combat (and his subsequent connection with men from that soldier's unit).
This is a gripping book that anyone who is struggling with their time in service - or to trying to relate to those who served - will truly find enlightening.
5 of 5 people found the following review helpful.
Whoa.
By The Steadfast Reader
Whoa. This book takes on some of the hard truths that soldiers and Marines returning from (and participating in) the longest two wars in American history have to face. As a veteran this was a difficult read for me. When I started the book I didn't realize it was a collection of short stories. At first I was disappointed because the first story is so raw and powerful. It's about how a man returning home from Iraq struggles to reintegrate back into everyday life with his wife and dog. I wanted to know more of that character's struggles. In the end though it turned out to be a good thing that this was short stories because I found that I could only read it in short bursts, so harrowing are the narratives at times. Perhaps this is the reason I don't read a lot of war fiction (or war non-fiction, for that matter).
In a time where less than one percent of the American population is in the military - it's so easy for some to forget the experience that Iraq and Afghanistan veterans have been through. There are many people who don't know anyone in the military. This book is important if not for that reason alone.
A line in the first story 'Redeployment' struck me so hard because it's the honest to god's truth.
"We took my combat pay and did a lot of shopping. Which is how America fights back against the terrorists."
What else is there to do after you're haunted by a war that makes little to no sense to you or the rest of the country? Another line that I ran across hit me hard because as a veteran I've always had a hard time with the "Thank you for your service" type gratitude actions that I would get. It's an awkward feeling that many veterans don't know what to do with (I'm not saying don't do it when you see a man or woman in uniform - just that it's a weird feeling - at least for me).
"I was angry. I'd gotten a lot of Thank You for Your Service handshakes, but nobody really knew what that service meant..."
I worked as a Unit Deployment Manager for the Air Force, it was my job to tend to all the airmen that would be deployed, ensuring they had all their training, paperwork, and equipment. While because of my rank I was not the one making personal selections on who would go and who would stay at home (unlike the Army, the Air Force does not deploy entire units at one time, instead it's a piecemeal selection of individuals based on job functions that are needed down-range). Despite that I still fielded phone-calls from angry spouses and sent men and women away from their families to miss anniversaries, Christmases, and even the birth of their children.
The stories in Redeployment focus exclusively on the Army and the Marine Corps and I'm okay with that. The problem that I had with this collection is that there were no stories told from the point of view of female characters. Women, despite not technically being allowed in combat, are in combat. I felt that Klay might have strengthened his book if he could have told at least one story from the perspective of a woman.
The other thing that will probably drive civilian readers crazy are the excessive acronyms. It didn't bother me because I knew what most of them meant, but I can definitely see this as being an impediment for a reader with little to no knowledge of military jargon.
Like I said, this was a difficult read for me but I do think that it's an incredibly important and well written book. It's not really about the wars themselves, it's a portrait of the people who fight those wars at the lowest level. I have to highly recommend it to everyone.
256 of 275 people found the following review helpful.
None Can Understand
By Free2Read
I am a soldier's daughter. Because my father served in World War II (Navy then), he did not speak of the war to me when he came home. It wasn't done.
But as I came through the Vietnam era in college and saw my students go off to wars in the Middle East as a teacher, I became more and more obsessed with understanding war.
REDEPLOYMENT by Phil Klay gives a variety of perspectives of war. Because he uses short stories and a number of narrators, Klay can move from returned vet at the height of his PTSD to bored Foreign Service Officer trying to put Iraqi kids into baseball uniforms because someone upstairs wants a PR picture. Never mind that the child rounded up may have been working on an IED the day before. The plight of the soldier, his amped up emotions and his training to be vigilant, to KILL or BE KILLED, overrides all other themes. Whether a man has endured burns all over his body or has been awarded a Medal of Valor, the wars of this century have marked a generation of men (and women, whom Klay acknowledges) as surely as WWI marked Wilfred Owens, the poet.
This is a bruising, snarling, hair-tearing blast of the breaths of death and war. Phil Klay, you speak of what you know.
Though mankind does not seem to learn from the history of war, voices like Klay's help to remind those safely watching the evening news that the soldiers are people's sons, daughters, husbands, wives and the "collateral damage" includes children and families with no interest in politics or global strategies. Klay's narrators give us the shifting tides of war with the constant of harm, ruin, and pain.
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